Theodor Leschetizky, Peter Ritzen's 'Contes de Jeunesse, Op. 46: V. Toccata (Hommage a Czerny)' came out on October 31, 1995. The duration of Contes de Jeunesse, Op. 46: V. Toccata (Hommage a Czerny) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Contes de Jeunesse, Op. 46: V. Toccata (Hommage a Czerny)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Theodor Leschetizky's "Leschetizky: Piano Concerto / Contes De Jeunesse Suite" album is number 7 out of 11. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Contes de Jeunesse, Op. 46: V. Toccata (Hommage a Czerny)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Contes de Jeunesse, Op. 46: V. Toccata (Hommage a Czerny) by Theodor Leschetizky, Peter Ritzen to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Piano Pieces, Op. 36: No. 1, Aria | Theodor Leschetizky, Tobias Bigger | D♭ Major | 5 | 3B | 97 BPM | ||
Evening Tambo Beats | Tangolicious Ya | C Minor | 1 | 5A | 120 BPM | ||
Two Skylarks Op.2 No.1 | Theodor Leschetizky | A♭ Major | 2 | 4B | 93 BPM | ||
Serenade in A Minor | Imre Széchényi, György Lázár, Istvan Kassai | F Minor | 1 | 4A | 112 BPM | ||
Mussorgsky: Pictures at an Exhibition: XI. The Great Gate of Kiev | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Haydn: Piano Trio in G Major, Hob. XV:25: III. Rondo all'ongarese. Presto (Arr. Metzdorff for Piano 4-Hands) | Joseph Haydn, Alexandre Tharaud, Momo Kodama | A♭ Major | 1 | 4B | 109 BPM | ||
Lyric Pieces, Book III, Op. 43: No. 3, In My Native Country | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
4 Lieder, Op. 6: No. 1, Andante espressivo, H-U 454 | Fanny Mendelssohn, Sontraud Speidel | A Minor | 3 | 8A | 97 BPM | ||
Rachmaninov: Polka de W. R. (After Behr’s La rieuse, Op. 303) | Sergei Rachmaninoff, Aurélien Pontier | E♭ Major | 1 | 5B | 108 BPM | ||
Prélude in B Minor, Op. 11, No. 6 | Alexander Scriabin, Julius Asal | F Minor | 0 | 4A | 68 BPM |
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