Gerard Pastor, Marta Urzaiz made "Femina Feminae VIII. Der Traum" available on November 27, 2020. The duration of Femina Feminae VIII. Der Traum is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Femina Feminae VIII. Der Traum's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in Femina Feminae by Gerard Pastor, Marta Urzaiz. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Femina Feminae VIII. Der Traum is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Femina Feminae VIII. Der Traum by Gerard Pastor, Marta Urzaiz is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El viatge | Belisana Ruiz, Gerard Pastor, Furius Music Orchestra | A Major | 1 | 11B | 100 BPM | ||
Promenade "Walking the Dog" - Version for Saxophone and Piano by Andreas Mader | Joseph Moog, Andreas Mader | C Major | 1 | 8B | 127 BPM | ||
Records Passats | Antoni Juncà i Soler, Cobla de Cambra de Catalunya, Gerard Pastor | E Minor | 0 | 9A | 69 BPM | ||
Bottesini: Double Bass Concerto No. 2 in B Minor: III. Allegro | Giovanni Bottesini, Mikyung Sung, Clay Couturiaux, Bradetich Competition Orchestra | B Minor | 3 | 10A | 124 BPM | ||
Femina Feminae I. Bergère Nue Couchée | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Clarinet and Piano) | Johannes Brahms, Luigi Magistrelli, Claudia Bracco | E♭ Minor | 1 | 2A | 94 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): X | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
The End of the Statue | Gerard Pastor, Entertainment Development | E Major | 1 | 12B | 61 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 1 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM |
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