Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien's 'Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison I' had a release date set for January 1, 1968. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 26 in Bach: Mass in B Minor, BWV 232 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Mass in B Minor, BWV 232: Kyrie eleison I by Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.