"Mass in C Minor, "The Great," K. 427: V. Domine" by Amor Artis Chorale was released on April 27, 2004. The duration of Mass in C Minor, "The Great," K. 427: V. Domine is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Mass in C Minor, "The Great," K. 427: V. Domine's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in English Chamber Orchestra, Johannes Somary's "Mozart: Sacred Choral Masterpieces" album is number 5 out of 25. On top of that, United States appears to be the country where this track was created. Mass in C Minor, "The Great," K. 427: V. Domine is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, "The Great," K. 427: V. Domine by Amor Artis Chorale to be Lento (slowly) because the track has a tempo of 52 BPM, a half-time of 26BPM, and a double-time of 104 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: II. Cuius animam gementem | Giovanni Battista Pergolesi, Shira Patchornik, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": X. Canarie. Die lustigen Bots Leute | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 1 | 1B | 110 BPM | ||
Mass No. 3 in F Minor, WAB 28: IV. Sanctus | Anton Bruckner, Orchestre de la Suisse Romande, Marek Janowski, Rundfunkchor Berlin, Lenneke Ruiten, Iris Vermiillion, Franz-Josef Selig, Shawn Mathey | D Minor | 1 | 7A | 119 BPM | ||
Semele, Jupiter. Aria: Semele, "let Me Not Another Moment" | George Frideric Handel, Amor Artis Chorale, English Chamber Orchestra | F Major | 1 | 7B | 77 BPM | ||
Antigono, Wq. 21 (Excerpts): Sinfonia. Allegro | Christoph Willibald Gluck, Händelfestspielorchester Halle, Martin Hofstetter | F♯ Major | 0 | 2B | 159 BPM | ||
Requiem, K. 626: II. Dies Irae | Amor Artis Chorale | G Minor | 4 | 6A | 108 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Credo in unum Deum | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": IX. Gigue. Ebb' und Fluth | Georg Philipp Telemann, Robert King, The King's Consort | F♯ Major | 2 | 2B | 77 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: I. Magnificat | Antonio Vivaldi, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne | G Minor | 1 | 6A | 81 BPM | ||
The Triumphs of Hibernia: Let Earth and Air and Ocean | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM |
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