On April 3, 2012, the song "Oster-Oratorium, BWV 249: Aria: Saget, saget mit geschwinde (Soprano, Alto)" was released by Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 12 out of 14 in Bach: Easter Oratorio by Johann Sebastian Bach, Frans Brüggen. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Oster-Oratorium, BWV 249: Aria: Saget, saget mit geschwinde (Soprano, Alto) is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Oster-Oratorium, BWV 249: Aria: Saget, saget mit geschwinde (Soprano, Alto) by Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in C Major, RV 398: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | A Minor | 0 | 8A | 115 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F♯ Major | 1 | 2B | 141 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": II. Allegretto | Ludwig van Beethoven, Jenő Jandó | D♭ Major | 0 | 3B | 72 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 4 | 12B | 151 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Violin Concerto in D Major, RV 230: I. Allegro | Antonio Vivaldi, János Rolla, John Williams, Franz Liszt Chamber Orchestra | D Major | 4 | 10B | 93 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: V. Gavottes I & II | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 81 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |