Johannes Brahms, Wilhelm Furtwängler, Wiener Philharmoniker made "Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato" available on October 22, 2021. With Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 14 in Brahms: Variations on a Theme by Haydn, Op. 56a & Symphony No. 1, Op. 68 by Johannes Brahms, Wilhelm Furtwängler, Wiener Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato by Johannes Brahms, Wilhelm Furtwängler, Wiener Philharmoniker is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Nocturne No. 2 In E Flat, Op. 9 No. 2 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 133 BPM |
Section: 0.7018365859985352
End: 0.7062957286834717