- BPM
- 77
- Key
- E♭ Major
- Camelot
- 5B
Die Entführung Aus Dem Serail - Aria : I. Welcher Wechsel - Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester Information
- Acousticness
- 94%
- Danceability
- 34%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 11%
- Loudness
- -28.379 dB
Summary
"Die Entführung Aus Dem Serail - Aria : I. Welcher Wechsel" by Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester was released on February 1, 2002. The duration of Die Entführung Aus Dem Serail - Aria : I. Welcher Wechsel is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Die Entführung Aus Dem Serail - Aria : I. Welcher Wechsel's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester's "Mozart: Opera Arias" album is number 7 out of 14. Die Entführung Aus Dem Serail - Aria : I. Welcher Wechsel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Entführung Aus Dem Serail - Aria : I. Welcher Wechsel BPM
We consider the tempo marking of Die Entführung Aus Dem Serail - Aria : I. Welcher Wechsel by Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Die Entführung Aus Dem Serail - Aria : I. Welcher Wechsel Key
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | |
 | Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | |
 | Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 75 BPM | |
 | Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | |
 | 7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | |
 | Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | |
 | Requiem in D Minor, K. 626: 3. Sequentia: Dies irae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 4 | 6A | 72 BPM | |
 | Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9407720565795898
End: 0.9447193145751953