"Clarinet Concerto in A major, K. 622 : II. Adagio" by Saint Petersburg Chamber Orchestra "Canon" , Adil Fedorov, Alexander Titov was released on January 1, 2012. Since Clarinet Concerto in A major, K. 622 : II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Three Viennese Classic Images Featuring Works by Haydn, Mozart and Beethoven". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The popularity of Clarinet Concerto in A major, K. 622 : II. Adagio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Clarinet Concerto in A major, K. 622 : II. Adagio by Saint Petersburg Chamber Orchestra "Canon" , Adil Fedorov, Alexander Titov having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lemminkäinen (4 Legends), Op. 22 : III. The Swan of Tuonela | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E Minor | 0 | 9A | 73 BPM | ||
セレナード 第13番 ト長調「アイネ・クライネ・ナハトムジーク」 K.525/第4楽章:ロンド:アレグロ(『メリーに首ったけ』より) | スロヴァキア・フィルハーモニー管弦楽団, リボル・ペシェック | A Major | 1 | 11B | 136 BPM | ||
Concerto per violino N.2 in E Major, G44: Adagio | Giovanni Battista Viotti, Martha Carfi, Luis Michal, Bayerisches Kammerorchester München | A Major | 1 | 11B | 170 BPM | ||
Piano Concerto No. 24 in C minor, K. 491: II. Larghetto | Current | E♭ Major | 1 | 5B | 111 BPM | ||
ディヴェルティメント K.136~第2楽章(モーツァルト) | ベルリン室内管弦楽団 | G Major | 0 | 9B | 117 BPM | ||
Distant Drama | Done lack | F♯ Minor | 5 | 11A | 170 BPM | ||
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
一抹夕阳(女高音独唱 选自歌剧《伤逝》) | 殷秀梅 | E Minor | 3 | 9A | 138 BPM | ||
Symphony No. 44 in E Minor, Hob.I:44 "Mourning": III. Adagio | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | A Major | 0 | 11B | 152 BPM | ||
卓雅 - 伴奏版 | 海来阿木 | D Major | 2 | 10B | 204 BPM |
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