Eric Ewazen, American Brass Quintet, St. Luke's Chamber Ensemble, William Sharp made "To Cast a Shadow Again: Interlude" available on May 9, 1995. With To Cast a Shadow Again: Interlude being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 19 in Chamber Music of Eric Ewazen by Eric Ewazen, American Brass Quintet, St. Luke's Chamber Ensemble, William Sharp. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, To Cast a Shadow Again: Interlude's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of To Cast a Shadow Again: Interlude by Eric Ewazen, American Brass Quintet, St. Luke's Chamber Ensemble, William Sharp is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
October | Szeged Trombone Ensemble, György Gyivicsan | A Minor | 1 | 8A | 93 BPM | ||
La sirenita: 2. En la superficie | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 70 BPM | ||
Suite, Op. 54: Andantino cantabile | Ladislav Aloys, Deutsches Horn Ensemble | G Major | 0 | 9B | 93 BPM | ||
Bass Trombone Concerto (arr. V. Allen): III. Allegro ritmico | Eric Ewazen, Virginia Allen, Yves Bauer, Musique de l'Air, Claude Kesmaecker | A Major | 1 | 11B | 141 BPM | ||
Myths & Legends: Allegro vivace | Eric Ewazen, Stentorian Consort Trombone Quartet | F Major | 1 | 7B | 151 BPM | ||
Cello Sonata in F Major, Op. 1, No. 1 (arr. D. Little and R. Nelson): II. Allegro | Benedetto Marcello, Richard Nelson, Donald Little, David Zerkel, Paolo Andre Gualdi | F Major | 1 | 7B | 98 BPM | ||
T-Bone Concerto | Joseph Alessi | D Minor | 1 | 7A | 78 BPM | ||
Euphonium Concerto: III. Finale: Giocoso | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | D Minor | 2 | 7A | 148 BPM | ||
Toccata and Fugue in D Minor, BWV 565 | Szeged Trombone Ensemble | D Minor | 1 | 7A | 192 BPM | ||
Kleine Kammermusik, Op. 24, No. 2: 2. Walzer. Durchweg sehr leise | Paul Hindemith, Omega Ensemble | A Minor | 0 | 8A | 84 BPM |
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