- BPM
- 132
- Key
- C Minor
- Camelot
- 5A
Der Sänger von Mexiko: " Mexiko, Mexiko " - Hamburger Rundfunkorchester, Wilhelm Stephan, Ria Urban, Friedel Blasius, Herbert Ernst Groh, Willy Hofmann Information
- Acousticness
- 81%
- Danceability
- 40%
- Energy
- 56%
- Instrumentalness
- 0%
- Liveness
- 60%
- Loudness
- 87%
- Speechiness
- 4%
- Valence
- 84%
- Popularity
- 0%
- Loudness
- -7.532 dB
Summary
On November 24, 2011, the song "Der Sänger von Mexiko: " Mexiko, Mexiko "" was released by Hamburger Rundfunkorchester, Wilhelm Stephan, Ria Urban, Friedel Blasius, Herbert Ernst Groh, Willy Hofmann. The duration of Der Sänger von Mexiko: " Mexiko, Mexiko " is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Der Sänger von Mexiko: " Mexiko, Mexiko "'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Lopez: Der Sänger von Mexico" album is number 10 out of 10. Based on our statistics, Der Sänger von Mexiko: " Mexiko, Mexiko "'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Der Sänger von Mexiko: " Mexiko, Mexiko " BPM
We consider the tempo marking of Der Sänger von Mexiko: " Mexiko, Mexiko " by Hamburger Rundfunkorchester, Wilhelm Stephan, Ria Urban, Friedel Blasius, Herbert Ernst Groh, Willy Hofmann to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Der Sänger von Mexiko: " Mexiko, Mexiko " Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | |
 | Messa di Gloria: Agnus Dei | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | |
 | Der Tenor der Herzogin: Dialog 8 | Eduard Künneke, Hamburger Rundfunkorchester, Wilhelm Stephan, Kurt Wehofschitz, Colette Lorand, Christel Davenport, Ursula Zollenkopf, Rupert Glawitsch, Friedel Blasius, Karl Hoppe, Elly Burgmer | G Major | 5 | 9B | 123 BPM | |
 | Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | |
 | L'Estudiantina, Waltz Op. 191 | Vienna Walzer Orchestra, Sandro Cuturello | D Major | 4 | 10B | 112 BPM | |
 | Boccaccio: "Beim Liebchen, beim Liebchen" (Boccaccio, Prinz Pietro, Chor) | Franz von Suppé, Hamburger Rundfunkorchester, Wilhelm Schüchter, Rupert Glawitsch, Horst Gunter, Hamburger Rundfunkchor | F Major | 4 | 7B | 118 BPM | |
 | Napoleon-Marsch, OP. 145 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 104 BPM | |
 | Königgrätzer Marsch | Musikkorps der SS Leibstandarte ''Adolf Hitler'' | C Major | 6 | 8B | 145 BPM | |
 | Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | |
 | Gräfin Mariza - Operetta in 3 Acts: Komm mit nach Varasdin | Emmerich Kálmán, Herta Talmar, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | D Major | 4 | 10B | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.691178560256958
End: 0.695033073425293