"Mouton: Quis Dabit Oculis? - 4. Ergo Eiulate Pueri" by The Tallis Scholars, Peter Phillips was released on September 30, 2012. With Mouton: Quis Dabit Oculis? - 4. Ergo Eiulate Pueri being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Tallis Scholars, Peter Phillips's "Jean Mouton - Missa Dictes Moy Toutes Voz Pensées - Nesciens Mater" album is number 21 out of 31. On top of that, United Kingdom appears to be the country where this track was created. Mouton: Quis Dabit Oculis? - 4. Ergo Eiulate Pueri is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mouton: Quis Dabit Oculis? - 4. Ergo Eiulate Pueri by The Tallis Scholars, Peter Phillips to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mundy: Vox Patris Caelestis - 6. Veni Ad Me, Dilectissimum | The Tallis Scholars, Peter Phillips | A♭ Major | 2 | 4B | 92 BPM | ||
Tallis: A New Commandment | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 79 BPM | ||
Svete tikhii (Gentle light) | Victor Kalinnikov, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 1 | 7B | 74 BPM | ||
Choir Concerto No.25, Op. 25: II. Largo. Allegro | Kiev Chamber Choir | D♭ Major | 2 | 3B | 80 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Miserere, Op.44: 7. Domine Deus noster-Molto lento. Lento maestoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 163 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Mass - Frank Martin: III. Credo | Dale Warland Singers | A Minor | 1 | 8A | 107 BPM | ||
Mouton: Ave Maria, Virgo Serena - 1. Ave Maria, Gratia Plena | Jean Mouton, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 82 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM |
Section: 0.6846914291381836
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