"Auf dem Wasser zu singen, Op. 72, D.774" by Franz Schubert, Daniel Hope, Sebastian Knauer was released on April 14, 2020. The duration of Auf dem Wasser zu singen, Op. 72, D.774 is about 3 minutes long, at 3:03. Based on our data, "Auf dem Wasser zu singen, Op. 72, D.774" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Work From Home With Schubert by Franz Schubert. The song's track number on the album is #38 out of 59 tracks. Auf dem Wasser zu singen, Op. 72, D.774 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Auf dem Wasser zu singen, Op. 72, D.774 by Franz Schubert, Daniel Hope, Sebastian Knauer has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Auf dem Wasser zu singen, Op. 72, D.774 being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Jascha Silberstein, Marie Goossens | G Major | 0 | 9B | 110 BPM | ||
Summer 2 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Minor | 2 | 6A | 90 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale: Allegro energico | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 3 | 9B | 92 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Canon And Gigue In D Major, P 37: 1. Canon | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | D Major | 1 | 10B | 64 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Spring 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | E Major | 3 | 12B | 111 BPM | ||
Sonata in F Minor, L. 118 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM |
Section: 0.6966559886932373
End: 0.7007284164428711