"Fauré: Pénélope, Act 1, Scene 3: "Osez-vous pénétrer jusqu'ici, princes lâches ?" (Euryclée, Eurymaque, Léodès, Ctésippe, Antinoüs)" by Gabriel Fauré, Charles Dutoit, Gérard Friedmann, Jean Dupouy, Jocelyne Taillon, Paul Guigue, Philippe Huttenlocher, Monte-Carlo Philharmonic Orchestra was released on 1982. With Fauré: Pénélope, Act 1, Scene 3: "Osez-vous pénétrer jusqu'ici, princes lâches ?" (Euryclée, Eurymaque, Léodès, Ctésippe, Antinoüs) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 21 in Fauré: Pénélope by Gabriel Fauré, Jessye Norman, Alain Vanzo, Monte-Carlo Philharmonic Orchestra, Charles Dutoit. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Fauré: Pénélope, Act 1, Scene 3: "Osez-vous pénétrer jusqu'ici, princes lâches ?" (Euryclée, Eurymaque, Léodès, Ctésippe, Antinoüs)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Pénélope, Act 1, Scene 3: "Osez-vous pénétrer jusqu'ici, princes lâches ?" (Euryclée, Eurymaque, Léodès, Ctésippe, Antinoüs) by Gabriel Fauré, Charles Dutoit, Gérard Friedmann, Jean Dupouy, Jocelyne Taillon, Paul Guigue, Philippe Huttenlocher, Monte-Carlo Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major: II. Adagio | Joseph Bologne Saint-Georges, Zefira Valova, Il Pomo D'oro | E Major | 0 | 12B | 71 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Rêverie | Claude Debussy, Alain Planès | F Major | 0 | 7B | 62 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | D Minor | 0 | 7A | 81 BPM |
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