Chansons (arr. for voice and chamber ensemble): Bon jour, bon mois - Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch Information

Acousticness: 95%
Danceability: 19%
Energy: 12%
Instrumentalness: 1%
Liveness: 13%
Loudness: 70%
Speechiness: 5%
Valence: 40%
Popularity: 0%
Loudness: -18.148 dB

Summary

Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch made "Chansons (arr. for voice and chamber ensemble): Bon jour, bon mois" available on May 2, 1996. The duration of Chansons (arr. for voice and chamber ensemble): Bon jour, bon mois is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Chansons (arr. for voice and chamber ensemble): Bon jour, bon mois's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 17 in Dufay: Chansons by Guillaume Dufay, Michael Posch. The popularity of Chansons (arr. for voice and chamber ensemble): Bon jour, bon mois is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Chansons (arr. for voice and chamber ensemble): Bon jour, bon mois BPM

The tempo marking of Chansons (arr. for voice and chamber ensemble): Bon jour, bon mois by Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch is Presto (very, very fast), since this song has a tempo of 184 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Chansons (arr. for voice and chamber ensemble): Bon jour, bon mois Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Missa "Se la face ay pale": I. Kyrie	Guillaume Dufay, Cut Circle, Jesse Rodin	B♭ Major	2	6B	138 BPM
Se l'ardor foss'equale	Philippe Verdelot, Profeti Della Quinta	A♭ Minor	1	1A	109 BPM
Greyner, Zanner	Piffaro	A Major	1	11B	132 BPM
Intemerata Dei mater	Johannes Ockeghem, Oxford Camerata, Jeremy Summerly	D Minor	1	7A	79 BPM
La Magdalena	Pierre Attaingnant, La Rossignol	G Major	1	9B	69 BPM
April is in my mistress' face	Thomas Morley, Trinity Baroque, Julian Podger	F Major	2	7B	134 BPM
The Third Dirge Anthem: I Heard a Voice from Heaven	Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf	A♭ Minor	0	1A	133 BPM
Zappay [lo campo]	Capella de Ministrers, Carles Magraner	C Major	3	8B	115 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9162752628326416

End: 0.930617094039917