Silvia Krüger, Jacques Ammon made "Komm Lieber Mai Und Mache, KV 596" available on November 21, 2013. With Komm Lieber Mai Und Mache, KV 596 being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 30 in Brahms, Beethoven, Mahler, Weber, Reichardt, Fried, Silcher, Meyer-Helmund, Anonym (Folk Poetry): Volkslieder (Folksongs) . . . Der Weiße Nebel Wunderbar by Various Artists. In terms of popularity, Komm Lieber Mai Und Mache, KV 596 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Komm Lieber Mai Und Mache, KV 596 by Silvia Krüger, Jacques Ammon is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
May Night: Sleep, my beauty [Kak tikho, ka prokhladno] (Act III) | Nicolai Gedda, Gervase De Peyer, Belgrade Philharmonic Orchestra | F♯ Minor | 2 | 11A | 88 BPM | ||
Loreley | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | G Minor | 2 | 6A | 144 BPM | ||
Hyvää yötä | Joose Vähäsöyrinki, Juho Alakärppä | D♭ Major | 1 | 3B | 74 BPM | ||
Via Crucis, S53/R534: Station XIV: Jesus wird ins Grab gelegt | Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano | G Minor | 0 | 6A | 80 BPM | ||
Symphony No. 2, Op. 52 "Lobgesang": II. Molto più moderato ma con fuoco "Lobe den Herrn, meine Seele" | Felix Mendelssohn, London Symphony Orchestra, Lucy Crowe, The Monteverdi Choir, John Eliot Gardiner | C Major | 1 | 8B | 101 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Bizet: Adieux de l'hôtesse arabe, WD 72 | Georges Bizet, Fatma Said, Malcolm Martineau, Burcu Karadağ | A Minor | 0 | 8A | 80 BPM | ||
Mendelssohn: 3 Songs, Op. 84: No. 3, Jagdlied, MVW K82 | Felix Mendelssohn, Thomas Hampson, Geoffrey Parsons | E♭ Major | 0 | 5B | 85 BPM | ||
Liebesliederwalzer, Op. 52: X. O wie sanft die Quelle sich | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Camillo Radicke, Stella Doufexis, Konrad Jarnot, Marlis Petersen, Christoph Berner | G Major | 2 | 9B | 164 BPM | ||
6 Orchestral Songs, EG 177: No. 2, Solveig's Cradle Song | Edvard Grieg, Inger Dam-Jensen, Palle Knudsen, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 1 | 10B | 67 BPM |
Section: 0.8537518978118896
End: 0.8586361408233643