Natalie Cole's 'Miss You Like Crazy' came out on January 30, 2007. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Natalie Cole's "Love Essentials" album is number 1 out of 13. Based on our statistics, Miss You Like Crazy's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Miss You Like Crazy by Natalie Cole to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lady | Kenny Rogers | E♭ Minor | 2 | 2A | 137 BPM | ||
My Girl | The Temptations | C Major | 4 | 8B | 105 BPM | ||
Never, Never Gonna Give You Up | Lisa Stansfield | B Minor | 8 | 10A | 85 BPM | ||
Stop! In The Name Of Love | The Supremes | C Major | 4 | 8B | 115 BPM | ||
Celebration | Kool & The Gang | D♭ Major | 7 | 3B | 122 BPM | ||
Nothing's Gonna Stop Us Now | Starship | F♯ Major | 8 | 2B | 96 BPM | ||
Breaking up Is Hard to Do | Renee Olstead | F Major | 3 | 7B | 131 BPM | ||
One Less Bell To Answer | The 5th Dimension | B Minor | 4 | 10A | 100 BPM | ||
Right Back Where We Started From | Maxine Nightingale | F Major | 7 | 7B | 148 BPM | ||
Come Rain or Come Shine | Ray Charles | E♭ Major | 2 | 5B | 120 BPM |
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