Felix Mendelssohn, Péter Nagy's 'Lieder ohne Worte (Songs without Words), Book 7, Op. 85: No. 42 in B-Flat Major, Op. 85, No. 6' came out on March 24, 1991. The duration of Lieder ohne Worte (Songs without Words), Book 7, Op. 85: No. 42 in B-Flat Major, Op. 85, No. 6 is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Lieder ohne Worte (Songs without Words), Book 7, Op. 85: No. 42 in B-Flat Major, Op. 85, No. 6's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Péter Nagy's "Mendelssohn: Songs Without Words, Vol. 2" album is number 20 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Lieder ohne Worte (Songs without Words), Book 7, Op. 85: No. 42 in B-Flat Major, Op. 85, No. 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte (Songs without Words), Book 7, Op. 85: No. 42 in B-Flat Major, Op. 85, No. 6 by Felix Mendelssohn, Péter Nagy to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Préludes, Op. 23: No. 10. Largo in G-Flat Major | Sergei Rachmaninoff, Nikolai Lugansky | F♯ Minor | 3 | 11A | 114 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Treasury of Melodies, JB 1:49: I. Preludium. Lento | Bedřich Smetana, Jitka Čechová | D Major | 0 | 10B | 119 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
String Quartet in E-Flat Major: I. Adagio ma non troppo | Fanny Mendelssohn, Asasello Quartett | A♭ Major | 1 | 4B | 103 BPM | ||
Lieder ohne Worte, Op.38: No. 3. Presto In E, MWV U 107 - "La harpe du poète" | Felix Mendelssohn, Daniel Barenboim | E Major | 1 | 12B | 105 BPM | ||
Préludes / Book 1, L.117: 12. Minstrels | Claude Debussy, Maurizio Pollini | B Minor | 1 | 10A | 95 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Péter Nagy | A Minor | 2 | 8A | 63 BPM |
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