"Seis canzones castellanas: 5. Cómo quieres que adivine" by Jesús Guridi, Teresa Berganza, Felix Lavilla was released on January 1, 2005. The duration of Seis canzones castellanas: 5. Cómo quieres que adivine is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Seis canzones castellanas: 5. Cómo quieres que adivine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 105 in Brava Berganza by Teresa Berganza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Seis canzones castellanas: 5. Cómo quieres que adivine is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seis canzones castellanas: 5. Cómo quieres que adivine by Jesús Guridi, Teresa Berganza, Felix Lavilla is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
El Caserío: "Coro general (acto II)" | Federico Romero, Guillermo Fernández-Shaw, Jesús Guridi, Coro De Camara Del Orfeon Donostiarra, Ataúlfo Argenta, Gran Orquesta Sinfonica | F♯ Minor | 4 | 11A | 81 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Amaya: Acto II - Escena V | Jesús Guridi, Carlos Conde, Rebecca Copley, Marianne Cornetti, Rosendo Flores, Cesar Hernandez, Itxaro Mentxaka, Angel Pazos, Gorka Sierra, Bilbao Choral Society, Bilbao Symphony Orchestra, Theo Alcantara | G Major | 1 | 9B | 109 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Diez Melodías Vascas - Epitalámica | Jesús Guridi, Ataúlfo Argenta | F Major | 0 | 7B | 0 BPM | ||
Estudio Brillante de Alard | Francisco Tárrega, Andrés Madariaga | D Major | 3 | 10B | 89 BPM | ||
Tifa's Theme (Final Fantasy - Piano Version) | Adriano Spampanato | C Major | 0 | 8B | 134 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
El Caserío: "Inosensia y Chomín" | Federico Romero, Guillermo Fernández-Shaw, Jesús Guridi, Julio Uribe, Joaquina Belaustegui, Ataúlfo Argenta, Gran Orquesta Sinfonica | C Major | 4 | 8B | 103 BPM |
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