"Aria (From Goldberg Variations, BWV 988)" by Johann Sebastian Bach, Katya Kramer-Lapin was released on May 29, 2022. With this song being about 5 minutes long, at 5:28, "Aria (From Goldberg Variations, BWV 988)" by Johann Sebastian Bach, Katya Kramer-Lapin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 11 in Ambient Study Music by Sergey Bryukhno, Denis Shapovalov, Katya Kramer-Lapin. Going off of the ISRC code of this track, we detected that the origin of this track is from Estonia. Aria (From Goldberg Variations, BWV 988) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aria (From Goldberg Variations, BWV 988) by Johann Sebastian Bach, Katya Kramer-Lapin is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Passacaglia and Fugue in C Minor, BWV 582 (arr. E. d'Albert for piano) | Eugen d'Albert, Johann Sebastian Bach, Ernst Breidenbach | C Minor | 2 | 5A | 80 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Sonatina in C Major, Op. 55, No. 1: I. Allegro | Nelita True | C Major | 2 | 8B | 97 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 3, Pleasant Countryside. Moderato | Bedřich Smetana, Jitka Čechová | D♭ Major | 0 | 3B | 77 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: Prelude in A-Flat Minor / G-Sharp Minor, BWV 863 | Johann Sebastian Bach, Michaël Lévinas | G Major | 1 | 9B | 83 BPM | ||
Petite Valse in G Major, Op. 26 | Anatoly Lyadov, Vadim Chaimovich | G Major | 1 | 9B | 97 BPM | ||
Suite No. 2 in F Major, HWV 427: III. Adagio | George Frideric Handel, Seong-Jin Cho | D Minor | 0 | 7A | 134 BPM |
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