Henry Villca suntura, Henry Villca, Robert Nairn, Eligio Quinteiro made "Improvisation for Sikus, Bass and Guitar" available on 2007. The duration of Improvisation for Sikus, Bass and Guitar is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Improvisation for Sikus, Bass and Guitar's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 30 in Bolivian Baroque: Music from the Missions of Chiquitos and Moxos Indians by Florilegium, Bolivian Soloists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Improvisation for Sikus, Bass and Guitar's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Improvisation for Sikus, Bass and Guitar by Henry Villca suntura, Henry Villca, Robert Nairn, Eligio Quinteiro is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Daniell Batchelar: Mounsier's Almaine (1610) | Paul O'Dette | F♯ Major | 0 | 2B | 124 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
En el porta de Santiago ! : Canzon La Benedetta | Andrea Falconieri, Arianna Savall, La Fenice, Jean Tubéry | G Minor | 1 | 6A | 78 BPM | ||
Cello Concerto in B-Flat Major, Wq. 171, H. 436: II. Adagio | Carl Philipp Emanuel Bach, Guy Fishman, Aisslinn Nosky, Maureen Murchie, Max Mandel, Sarah Freiberg, Robert Nairn, Ian Watson | F♯ Minor | 0 | 11A | 76 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM |
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