La Niña de los Peines made "Sevillanas Boleras No. 1 (Pintor de Lozas) [with Luis Molina]" available on January 1, 2004. The duration of Sevillanas Boleras No. 1 (Pintor de Lozas) [with Luis Molina] is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Sevillanas Boleras No. 1 (Pintor de Lozas) [with Luis Molina]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Registros Sonoros, Vol. 3/13". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Spain. The popularity of Sevillanas Boleras No. 1 (Pintor de Lozas) [with Luis Molina] is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sevillanas Boleras No. 1 (Pintor de Lozas) [with Luis Molina] by La Niña de los Peines having a BPM of 186 with a half-time of 93 BPM and a double-time of 372 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Malagueñas: Yo Le Robé un Beso un Día - Remastered | Manuel Vallejo, Antonio Moreno | F♯ Major | 1 | 2B | 95 BPM | ||
En la Noria de la Via | El Cabrero | E Major | 3 | 12B | 92 BPM | ||
Pregunto al cielo | Gracia Montes | C Major | 5 | 8B | 77 BPM | ||
Bulerías (Que Te Quería No Lo Niego) [with Niño Ricardo] | La Niña de los Peines | E♭ Major | 4 | 5B | 78 BPM | ||
Aquí Está Mi Corazón (Fandangos de Huelva) [feat. Antoñita Sevilla, Mari Carmen Altea & Pedro Romero] | Jarrito y Su Cuadro Flamenco, Antoñita Sevilla, Mari Carmen Altea, Pedro Romero | C Major | 5 | 8B | 120 BPM | ||
La Verdad en el Cante | Antonio Molina, M. Vázquez "Sarasate" | A Major | 1 | 11B | 81 BPM | ||
Un Ciego Va por la Calle | Antoñita Peñuela | B Major | 7 | 1B | 96 BPM | ||
Retablo de Andalucía, Parte 5 | La Sallago, Manolo el Sevillano | G Major | 2 | 9B | 82 BPM | ||
Toita el Agua del Mar (Cantiña) | Fosforito, Vargas Araceli | E♭ Major | 1 | 5B | 151 BPM | ||
Rumbas (Avanzado) : 2ª Letra | Lalo Tejada, Ana Real, Juan María Real, Manuel Salado | E♭ Minor | 2 | 2A | 99 BPM |
Section: 0.6136777400970459
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