St. Matthew Passion, BWV 244 / Part Two: "Wir setzen uns mit Tränen nieder" - Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti Information

Acousticness: 94%
Danceability: 6%
Energy: 27%
Instrumentalness: 87%
Liveness: 11%
Loudness: 71%
Speechiness: 4%
Valence: 19%
Popularity: 20%
Loudness: -17.394 dB

Summary

"St. Matthew Passion, BWV 244 / Part Two: "Wir setzen uns mit Tränen nieder"" by Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti was released on April 2, 2021. Since St. Matthew Passion, BWV 244 / Part Two: "Wir setzen uns mit Tränen nieder" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 57 in Easter Classical by Johann Sebastian Bach, Wolfgang Amadeus Mozart, George Frideric Handel. St. Matthew Passion, BWV 244 / Part Two: "Wir setzen uns mit Tränen nieder" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

St. Matthew Passion, BWV 244 / Part Two: "Wir setzen uns mit Tränen nieder" BPM

The tempo marking of St. Matthew Passion, BWV 244 / Part Two: "Wir setzen uns mit Tränen nieder" by Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

St. Matthew Passion, BWV 244 / Part Two: "Wir setzen uns mit Tränen nieder" Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Oboe Concerto in C Major, RV 452: II. Adagio	Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy	C Major	2	8B	125 BPM
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846	Lang Lang	C Major	1	8B	134 BPM
Ravel: A la manière de... Borodine, M. 63	Maurice Ravel, Bertrand Chamayou	F♯ Major	1	2B	83 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E♭ Major	1	5B	113 BPM
Nocturne No.6 In G Minor, Op.15 No.3	Frédéric Chopin, Maurizio Pollini	D Minor	0	7A	105 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847	Daniel Barenboim	C Minor	1	5A	68 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	129 BPM
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro	Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek	G Minor	3	6A	59 BPM
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38	Carl Maria von Weber, Ensemble 3 Mouvements	G Major	0	9B	119 BPM
Sonata No. 15 in C Major, II. Andante	Maria João Pires	G Major	1	9B	108 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8713235855102539

End: 0.8842878341674805