"Il viaggio a Reims: Arpa gentil" by Gioachino Rossini, Cecilia Gasdia, Katia Ricciarelli, Lucia Valentini Terrani, Francisco Araiza, Leo Nucci, Enzo Dara, Ruggero Raimondi, Chamber Orchestra of Europe, Claudio Abbado, Charlotte Sprenkels was released on 1983. Il viaggio a Reims: Arpa gentil is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 41 in the song's album "Rossini: Il Viaggio A Reims". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Il viaggio a Reims: Arpa gentil is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il viaggio a Reims: Arpa gentil by Gioachino Rossini, Cecilia Gasdia, Katia Ricciarelli, Lucia Valentini Terrani, Francisco Araiza, Leo Nucci, Enzo Dara, Ruggero Raimondi, Chamber Orchestra of Europe, Claudio Abbado, Charlotte Sprenkels having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Largo al factotum (Act I) | Cesare Sterbini, Gioachino Rossini, Royal Philharmonic Orchestra, Owain Arwel Hughes | G Major | 3 | 9B | 70 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: Recitativo. "Ah! barbiere d'inferno" (Bartolo, Basilio) | Gioachino Rossini, James Levine, Renato Capecchi, Ruggero Raimondi, London Symphony Orchestra | G Major | 2 | 9B | 117 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 1 | 12B | 109 BPM |
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