Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez's 'Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: III. Andante' came out on February 9, 2015. The duration of Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: III. Andante is about 3 minutes long, at 3:25. Based on our data, "Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: III. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 16 in Bach: Musikalisches Opfer (The Musical Offering) by Johann Sebastian Bach, Marc Hantaï, François Fernandez, Philippe Pierlot, Ricercar Consort, Maude Gratton. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: III. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: III. Andante by Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Bach, JS: Concerto for Two Pianos in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Michel Béroff, Jean-Pierre Wallez, Orchestre de chambre de Paris | A Minor | 2 | 8A | 114 BPM | ||
Brandenburg Concerto No. 2 in F, BWV 1047: 1. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy/2007 | Johann Sebastian Bach, Reinhold Friedrich, Michala Petri, Lucas Macias Navarro, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | E Minor | 1 | 9A | 81 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Clavierbuchlein for Anna Magdalena Bach, Book 2, BWV Anh. 113-132 (arr. for violin and piano): Minuet in G Major, BWV Anh. 114 (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 128 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM |
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