""Das Rheingold": Was ist's, ihr Glatten (Alberich, Rheintöchter)" by Zoltan Kelemen was released on January 1, 2005. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Richard Wagner: Das Rheingold". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, "Das Rheingold": Was ist's, ihr Glatten (Alberich, Rheintöchter)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Das Rheingold": Was ist's, ihr Glatten (Alberich, Rheintöchter) by Zoltan Kelemen having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov | B Major | 2 | 1B | 85 BPM | ||
Das Rheingold, WWV 86A / Vierte Szene: "Bruder, hieher! Weise der Brücke den Weg! ... Zur Burg führt die Brücke" | Richard Wagner, Donald Grobe, Robert Kerns, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 82 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 5: Im Tempo des Scherzo: Mit Aufschwung, aber nicht eilen - "O Schmerz, du Alldurchdringer" | Gustav Mahler, Waltraud Meier, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | D Major | 1 | 10B | 117 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Dialog: "Gospodina, dieses vaterländische Fest" | Franz Lehár, Elizabeth Harwood, René Kollo, Zoltan Kelemen, Karl Renar, Herbert von Karajan | D Major | 1 | 10B | 84 BPM | ||
Marino Faliero, IGD 52, Act I: "Calmati, Steno. Qui gioia ed oblio" (Leoni, Steno, Coro) | Gaetano Donizetti, Orchestra Salieri del Teatro Nazionale di Szeged, Coro del Teatro Nazionale di Szeged, Tamás Pál, Timothy Bentch, Zoltan Kelemen | E♭ Major | 0 | 5B | 71 BPM | ||
Parsifal / Act 2: "Die Zeit ist da" | Richard Wagner, Zoltan Kelemen, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 2 | 4B | 83 BPM | ||
Berg: Wozzeck: Dort links geht's in die Stadt. - Act Three | Alban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker | A♭ Major | 1 | 4B | 76 BPM | ||
Salome, Op. 54 / Scene 3: "Wird dir nicht bange, Tochter der Herodias?" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 95 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 107 BPM |
Section: 0.8726558685302734
End: 0.8914060592651367