"String Quartet No.1 "From The Salvation Army": 4. Allegro marziale - Poco andante con moto" by Charles Ives, Emerson String Quartet was released on January 1, 1992. With this song being about 5 minutes long, at 5:19, "String Quartet No.1 "From The Salvation Army": 4. Allegro marziale - Poco andante con moto" by Charles Ives, Emerson String Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Emerson String Quartet's "Ives: String Quartets Nos. 1 & 2 / Barber: String Quartet" album is number 4 out of 11. Based on our statistics, String Quartet No.1 "From The Salvation Army": 4. Allegro marziale - Poco andante con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No.1 "From The Salvation Army": 4. Allegro marziale - Poco andante con moto by Charles Ives, Emerson String Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony In 3 Movements: 1. Allegro | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | ||
Nocturnes, L. 91: I. Nuages (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A♭ Major | 3 | 4B | 113 BPM | ||
L'Oiseau de feu (1911 Version): XIX. Disparition du palais et des sortilèges de Kastchei - Animation des chevaliers petrifiés. Allegresse génerale | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 2 | 5A | 89 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Set No. 1 for Chamber Orchestra: III. The Ruined River (The New River) | Charles Ives, Orchestra New England, James Sinclair | N/A | N/A | N/A | 0 BPM | ||
Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
The Celestial Railroad, a Phantasie for Piano Solo (Produced) | Charles Ives, Alan Mandel | F Minor | 2 | 4A | 115 BPM | ||
L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte V: Une chambre dans le château | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 126 BPM |
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