Johann Abraham Peter Schulz, Gabriela Montero made "Montero: Der Mond ist aufgegangen (Improvisation on Schulz's "Abendlied")" available on December 3, 2010. The duration of Montero: Der Mond ist aufgegangen (Improvisation on Schulz's "Abendlied") is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Montero: Der Mond ist aufgegangen (Improvisation on Schulz's "Abendlied")'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gabriela Montero's "Live In Germany" album is number 9 out of 30. Montero: Der Mond ist aufgegangen (Improvisation on Schulz's "Abendlied") is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Montero: Der Mond ist aufgegangen (Improvisation on Schulz's "Abendlied") by Johann Abraham Peter Schulz, Gabriela Montero to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco, Act III: Slave Chorus | Giuseppe Verdi, Lorin Maazel, Orchestra Philharmonique de Monte Carlo, Choeur de la Radio Suisse Romande, Choeur Pro Arte de Lausanne d'André Charlet, Monte-Carlo Philharmonic Orchestra | G Major | 2 | 9B | 57 BPM | ||
Geh aus, mein Herz, und suche Freud | August Harder, Gustav Gunsenheimer, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | A Minor | 1 | 8A | 115 BPM | ||
Ola Gjeilo: Tota pulchra es | Ola Gjeilo, Schola Cantorum, Tone Bianca Sparre Dahl | E Major | 1 | 12B | 131 BPM | ||
Dank sei dir Herr | Rijssens Mannenkoor | A Major | 2 | 11B | 80 BPM | ||
God So Loved The World | John Stainer, Andrew Kennedy, Neal Davies, Darius Battiwalla, Huddersfield Choral Society, Joseph Cullen | D Major | 1 | 10B | 82 BPM | ||
Gute Nacht | Adolf Marschner, Polyteknikkojen Kuoro | F Minor | 1 | 4A | 63 BPM | ||
'S isch mer alles eis Ding | Vepate Frauenchor Basel, Susanne Würmli-Kollhopp | B♭ Major | 1 | 6B | 63 BPM | ||
Bei Gott bin ich geboren | Helge Burggrabe, Jaques Berthier, Vokalensemble Elbcanto | B♭ Major | 0 | 6B | 103 BPM | ||
Phos hilaron: II. Phos hilaron | Owain Park, The Gesualdo Six | D Major | 0 | 10B | 82 BPM | ||
Tábortüznél, Près du feu de camp | Lajos Bárdos, Pécsi Nevelök Háza Kamarakórusa, Aurél Tillai | B♭ Major | 0 | 6B | 63 BPM |
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