"Julie: Act I, Scene 7" by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono was released on October 1, 2009. Julie: Act I, Scene 7 appears to be safe for all ages as it is not explicit. The song is number 7 out of 12 in Boesmans: Julie - Opera in One Act by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Julie: Act I, Scene 7 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Julie: Act I, Scene 7 by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tempest: Suite No. 2, Op. 109: VIII. Dance Episode | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | ||
Litanies à la Vierge noire, FP 82 | Francis Poulenc, Ensemble Aedes, Louis-Noël Bestion de Camboulas, Mathieu Romano | A Major | 1 | 11B | 81 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: II. Episodes: V | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | E Minor | 0 | 9A | 110 BPM | ||
Concerto for Clarinet and Orchestra, Op.124: IV. Andante - Presto | Robert Groslot, Roeland Hendrikx, Brussels Philharmonic | A Minor | 1 | 8A | 117 BPM | ||
Manon Lescaut Intermezzo sinfonico, 900864: Manon Lescaut Intermezzo sinfonico, 3. Act | Giacomo Puccini, Ivan Repušić, Munich Radio Orchestra | A Major | 1 | 11B | 111 BPM | ||
Poèmes pour Mi, Premier Livre: No. 2, Paysage | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM | ||
El dilema del destornilla | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM |
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