Black, Brown and Beige (arr. M. Peress for orchestra): Black
Duke Ellington, Maurice Peress, Buffalo Philharmonic Orchestra, Joann Falletta
Ellington: Black, Brown and Beige
8:24 February 5, 2013
BPM
83
Key
D♭ Major
Camelot
3B

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Black, Brown and Beige (arr. M. Peress for orchestra): Black - Duke Ellington, Maurice Peress, Buffalo Philharmonic Orchestra, Joann Falletta Information

Acousticness
97%
Danceability
28%
Energy
10%
Instrumentalness
92%
Liveness
8%
Loudness
60%
Speechiness
5%
Valence
7%
Popularity
Loudness
-23.899 dB

Summary

"Black, Brown and Beige (arr. M. Peress for orchestra): Black" by Duke Ellington, Maurice Peress, Buffalo Philharmonic Orchestra, Joann Falletta had its release date on February 5, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 13 in Ellington: Black, Brown and Beige by Duke Ellington, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Black, Brown and Beige (arr. M. Peress for orchestra): Black is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Black, Brown and Beige (arr. M. Peress for orchestra): Black BPM

The tempo marking of Black, Brown and Beige (arr. M. Peress for orchestra): Black by Duke Ellington, Maurice Peress, Buffalo Philharmonic Orchestra, Joann Falletta is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Black, Brown and Beige (arr. M. Peress for orchestra): Black Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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ISRC
HKI191246402
Label
L-M Records/RCA Records