"Black, Brown and Beige (arr. M. Peress for orchestra): Black" by Duke Ellington, Maurice Peress, Buffalo Philharmonic Orchestra, Joann Falletta had its release date on February 5, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 13 in Ellington: Black, Brown and Beige by Duke Ellington, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Black, Brown and Beige (arr. M. Peress for orchestra): Black is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Black, Brown and Beige (arr. M. Peress for orchestra): Black by Duke Ellington, Maurice Peress, Buffalo Philharmonic Orchestra, Joann Falletta is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soul Station - Remastered 1999/Rudy Van Gelder Edition | Hank Mobley | A♭ Major | 4 | 4B | 102 BPM | ||
Swingin' Scotch | Coleman Hawkins Quartet | D Minor | 5 | 7A | 122 BPM | ||
Things Ain't What They Used To Be | Duke Ellington | C Minor | 2 | 5A | 115 BPM | ||
The Masquerade Is Over | Nancy Wilson, Cannonball Adderley | B♭ Major | 0 | 6B | 174 BPM | ||
Lush Life | Billy Strayhorn | D♭ Major | 1 | 3B | 102 BPM | ||
Crepuscule With Nellie - Breakdown | Thelonious Monk Septet | B♭ Minor | 1 | 3A | 67 BPM | ||
My One And Only Love | Chick Corea, Malcolm Addey | F Minor | 3 | 4A | 79 BPM | ||
Chartreuse | Kenny Drew | D Major | 1 | 10B | 130 BPM | ||
Flamenco Sketches (feat. John Coltrane, Cannonball Adderley & Bill Evans) | Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans | D Minor | 0 | 7A | 178 BPM | ||
In A Sentimental Mood | Sonny Rollins, The Modern Jazz Quartet | F Major | 1 | 7B | 127 BPM |