"Heiligste Nacht/Most Holy Night" by Vienna Boys' Choir was released on September 28, 2010. The duration of Heiligste Nacht/Most Holy Night is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Heiligste Nacht/Most Holy Night's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Definitive Christmas Album". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. In terms of popularity, Heiligste Nacht/Most Holy Night is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Heiligste Nacht/Most Holy Night by Vienna Boys' Choir having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Notre Pere, Op. 14 | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | E Major | 0 | 12B | 109 BPM | ||
O Haupt voll Blut und Wunden | Hans Leo Hassler, Johann Hermann Schein, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | D Major | 1 | 10B | 104 BPM | ||
Credo | MartÍn Palmeri | C Minor | 3 | 5A | 121 BPM | ||
An Die Nachtigall | Vienna Boys' Choir | C Major | 0 | 8B | 74 BPM | ||
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
An Irish Blessing | James E. Moore, Belfast Cathedral Choir, Philip Stopford | B♭ Major | 1 | 6B | 83 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Come again, sweet love doth now invite | John Dowland, Amarcord | D Minor | 0 | 7A | 63 BPM | ||
Liturgy of St. John Chrysostom, Op. 31: We hymn thee | Sergei Rachmaninoff, Lynette Johnson, Dale Warland Singers, Dale Warland | E♭ Major | 0 | 5B | 169 BPM |
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