Flip Phone Hangup (feat. U.G.L.Y. Boy Modeling)
Chris Crack, U.G.L.Y. Boy Modeling
Might Delete Later
2:01 February 12, 2021
BPM
169
Key
B Minor
Camelot
10A

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Flip Phone Hangup (feat. U.G.L.Y. Boy Modeling) - Chris Crack, U.G.L.Y. Boy Modeling Information

Acousticness
18%
Danceability
50%
Energy
65%
Instrumentalness
0%
Liveness
52%
Loudness
90%
Speechiness
34%
Valence
41%
Popularity
Loudness
-5.74 dB

Summary

Chris Crack, U.G.L.Y. Boy Modeling made "Flip Phone Hangup (feat. U.G.L.Y. Boy Modeling)" available on February 12, 2021. Flip Phone Hangup (feat. U.G.L.Y. Boy Modeling) is 2 minutes and 1 seconds long and may contain bad words that may be unsuitable for children. The track order of this song in Chris Crack's "Might Delete Later" album is number 14 out of 15. The popularity of Flip Phone Hangup (feat. U.G.L.Y. Boy Modeling) is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Flip Phone Hangup (feat. U.G.L.Y. Boy Modeling) BPM

We consider the tempo marking of Flip Phone Hangup (feat. U.G.L.Y. Boy Modeling) by Chris Crack, U.G.L.Y. Boy Modeling to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Flip Phone Hangup (feat. U.G.L.Y. Boy Modeling) Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

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