"Mass in B Minor, BWV 232 / Gloria: IX. Qui tollis peccata mundi" by Johann Sebastian Bach, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa was released on January 1, 2002. The duration of Mass in B Minor, BWV 232 / Gloria: IX. Qui tollis peccata mundi is about 3 minutes long, at 3:25. Based on our data, "Mass in B Minor, BWV 232 / Gloria: IX. Qui tollis peccata mundi" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 27 in Bach, J.S.: Mass in B minor, BWV232 by Johann Sebastian Bach, Barbara Bonney, Angelika Kirchschlager, John Mark Ainsley, Alastair Miles, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mass in B Minor, BWV 232 / Gloria: IX. Qui tollis peccata mundi is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in B Minor, BWV 232 / Gloria: IX. Qui tollis peccata mundi by Johann Sebastian Bach, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
5 Little Preludes, BWV 939-943: Prelude In D Minor, BWV 940 | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 121 BPM | ||
Suite en La: Gavotte | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 0 | 8A | 82 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Partita No. 3 in A Minor, BWV 827: VI. Scherzo | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM |
Section: 0.8855035305023193
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