"Gymnopedie 2" by Erik Satie, John Harle, Richard Rodney Bennett, Royal Philharmonic Orchestra was released on November 18, 2020. The duration of Gymnopedie 2 is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Gymnopedie 2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The John Harle Collection, Vol. 2: Lush Life". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Gymnopedie 2's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gymnopedie 2 by Erik Satie, John Harle, Richard Rodney Bennett, Royal Philharmonic Orchestra having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Improvisation 7 | Martin Stadtfeld | E Minor | 0 | 9A | 0 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Trois Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Stéphane Blet | D Major | 0 | 10B | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Einaudi: Una mattina | Ludovico Einaudi, Gautier Capuçon, Jerome Ducros | A Minor | 0 | 8A | 87 BPM | ||
Sleeping Lotus | Joep Beving | G Minor | 0 | 6A | 69 BPM |
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