"36 Caprices, Op. 20: No. 14, Largo Assai" by Luigi Legnani, Lucio Matarazzo was released on January 1, 1996. The duration of 36 Caprices, Op. 20: No. 14, Largo Assai is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. 36 Caprices, Op. 20: No. 14, Largo Assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Luigi Legnani, Lucio Matarazzo's "Legnani: 36 Caprices" album is number 14 out of 36. On top of that, Italy appears to be the country where this track was created. 36 Caprices, Op. 20: No. 14, Largo Assai is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 36 Caprices, Op. 20: No. 14, Largo Assai by Luigi Legnani, Lucio Matarazzo to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El decameron negro: Balada de la doncella enamorada | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 2 | 8A | 113 BPM | ||
Carcassi Op.60 N.4 Allegretto | Matteo Carcassi, Lucio Matarazzo | D Major | 4 | 10B | 98 BPM | ||
Fantasia Sobre "El Paño" O Sea "El Punto De La Habana" | María Esther Guzmán | E Minor | 1 | 9A | 75 BPM | ||
Danza Mora | Philip Hemmo | B Major | 2 | 1B | 90 BPM | ||
Sonata in a Major, K. 322 | Domenico Scarlatti, Scott Tennant | A Major | 2 | 11B | 111 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
Serie Americana: Guarania | Hector Ayala, Victor Villadangos | D Major | 0 | 10B | 82 BPM | ||
El sombrero de 3 picos (The 3-Cornered Hat), Part II: Dance of the Corregidor (arr. S. Behrend for guitar) | Manuel de Falla, Siegfried Behrend, Anabel Montesinos | D Major | 1 | 10B | 91 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM |
Section: 0.6065263748168945
End: 0.6118946075439453