Handel: Solomon, HWV 67, Act 3: No. 42. Arrival of the Queen of Sheba - George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields Information

Acousticness: 89%
Danceability: 54%
Energy: 47%
Instrumentalness: 77%
Liveness: 37%
Loudness: 77%
Speechiness: 3%
Valence: 86%
Popularity: 10%
Loudness: -13.695 dB

Summary

On 1988, the song "Handel: Solomon, HWV 67, Act 3: No. 42. Arrival of the Queen of Sheba" was released by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields. The duration of Handel: Solomon, HWV 67, Act 3: No. 42. Arrival of the Queen of Sheba is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Handel: Solomon, HWV 67, Act 3: No. 42. Arrival of the Queen of Sheba's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Classic Experience". In this album, this song's track order is #1. Based on our statistics, Handel: Solomon, HWV 67, Act 3: No. 42. Arrival of the Queen of Sheba's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Handel: Solomon, HWV 67, Act 3: No. 42. Arrival of the Queen of Sheba BPM

With Handel: Solomon, HWV 67, Act 3: No. 42. Arrival of the Queen of Sheba by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Handel: Solomon, HWV 67, Act 3: No. 42. Arrival of the Queen of Sheba Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto in D Minor, BWV 1052: I. Allegro	Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D Minor	3	7A	106 BPM
Renaissance, Book 2: Sarabande (Lully)	Leopold Godowsky, Konstantin Scherbakov	E Minor	0	9A	94 BPM
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro	Francesco Geminiani, Concerto Köln	E♭ Minor	1	2A	129 BPM
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro	Domenico Scarlatti, Balazs Szokolay	F Major	1	7B	118 BPM
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	108 BPM
Purcell : King Arthur : Overture to Act 1	William Christie	C Minor	2	5A	140 BPM
Concerto in D Minor: II. Adagio	Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt	D Minor	0	7A	68 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	2	7A	145 BPM
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2	Franz Schubert, Evgeny Kissin	E♭ Major	0	5B	71 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E♭ Major	1	5B	113 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7459332942962646

End: 0.7498717308044434