Gioachino Rossini, Erich Leinsdorf made "Il barbiere di Siviglia: Ah, ah! che bella vita! - Remastered" available on 1958. The duration of Il barbiere di Siviglia: Ah, ah! che bella vita! - Remastered is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Il barbiere di Siviglia: Ah, ah! che bella vita! - Remastered's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Rossini: The Barber of Seville". In this album, this song's track order is #8. Il barbiere di Siviglia: Ah, ah! che bella vita! - Remastered is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Il barbiere di Siviglia: Ah, ah! che bella vita! - Remastered by Gioachino Rossini, Erich Leinsdorf having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante, nous arrivons, nous voilà! "(Chorus) | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 130 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
Waltz in E-Flat Major | Gioachino Rossini, Alessandro Marangoni | C Major | 2 | 8B | 99 BPM |
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