When I'm Sixty-Four (Arr. Palmer) - Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury Information

Acousticness: 89%
Danceability: 67%
Energy: 22%
Instrumentalness: 35%
Liveness: 11%
Loudness: 72%
Speechiness: 4%
Valence: 60%
Popularity: 0%
Loudness: -16.58 dB

Summary

Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury made "When I'm Sixty-Four (Arr. Palmer)" available on June 27, 1994. The duration of When I'm Sixty-Four (Arr. Palmer) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. When I'm Sixty-Four (Arr. Palmer)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Julian Lloyd Webber Collection". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, When I'm Sixty-Four (Arr. Palmer)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

When I'm Sixty-Four (Arr. Palmer) BPM

With When I'm Sixty-Four (Arr. Palmer) by Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

When I'm Sixty-Four (Arr. Palmer) Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Kinderszenen, Op. 15: No. 10 Fast zu ernst	Robert Schumann, Wilhelm Kempff	G Major	0	9B	69 BPM
Sinfonia in C major, RV 112: I. Allegro	Karoly Botvay	G Major	2	9B	119 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume	Robert Schumann, Kian Soltani, Aaron Pilsan	F Major	0	7B	116 BPM
3 Pieces for cello and piano: No. 1. Modere	Nadia Boulanger, Nicolas Altstaedt, José Gallardo	E♭ Minor	0	2A	87 BPM
3 Songs: No. 3. Love's Philosophy (arr. J. Lloyd Webber for cello and piano)	Frederick Delius, Julian Lloyd Webber, John Lenehan	G Major	2	9B	66 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38	Carl Maria von Weber, Ensemble 3 Mouvements	G Major	0	9B	119 BPM
Jeux d'enfants, Op. 22 WD 56: 3. La poupée	Georges Bizet, Katia Labèque, Marielle Labèque	B Major	0	1B	64 BPM
Adagio in G Minor (Arr. for Harp and Orchestra)	Tomaso Albinoni, Remo Giazotto, Stefan Klieme, Xavier De Maistre, L'Arte del mondo	C Minor	1	5A	175 BPM
Nocturne No. 2 in C Minor, H.25	John Field, Elizabeth Joy Roe	C Minor	1	5A	80 BPM

ISRC: NLA508534509
Label: L-M Records/RCA Records

Section: 0.8552243709564209

End: 0.8606054782867432