On March 1, 2011, the song "Cancionero Sefardi: No. 7. Avridme galanica" was released by Roberto Sierra, Judith Kellock, Jeani Muhonen Foster, William Helmers, Lisa Fuller, Scott Tisdel, Stefanie Jacob, Mark Davis Scatterday. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 26 in Cancionero by Roberto Sierra, Mark Davis Scatterday. In terms of popularity, Cancionero Sefardi: No. 7. Avridme galanica is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Cancionero Sefardi: No. 7. Avridme galanica by Roberto Sierra, Judith Kellock, Jeani Muhonen Foster, William Helmers, Lisa Fuller, Scott Tisdel, Stefanie Jacob, Mark Davis Scatterday is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois petites pièces: Gigue | Augusta Holmès, Juliette Hurel, Hélène Couvert | F Major | 2 | 7B | 105 BPM | ||
Grieg: Solveig's Song | Edvard Grieg, Daniel Lozakovich, Mikhail Pletnev | A Minor | 1 | 8A | 134 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Sonate pour flûte et piano, Op. 64: IV. Finale. Moderato - Grazioso | Mel Bonis, Mathilde Calderini, Aurèle Marthan | D♭ Minor | 2 | 12A | 111 BPM | ||
Masques et Bergamasques, Op. 112: III. Gavotte | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Märchenbilder, Op. 113: IV. Langsam | Robert Schumann, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM | ||
Violin Concerto: IV. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 171 BPM | ||
Une vie d'amour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VI. Romeo and Juliet. The Balcony Scene | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Missa Latina, "Pro Pace": Kyrie | Roberto Sierra, Heidi Grant Murphy, Nathaniel Webster, Milwaukee Symphony Chorus, Milwaukee Symphony Orchestra, Andreas Delfs | C Major | 3 | 8B | 78 BPM |