"El Contrabandista - Rondo Fantastique sur Un Thème Espagnol, S.252" by Franz Liszt, Valentina Lisitsa was released on January 1, 2013. El Contrabandista - Rondo Fantastique sur Un Thème Espagnol, S.252 appears to be safe for all ages as it is not explicit. This song is part of Valentina Lisitsa Plays Liszt by The Greatest Bits, Franz Liszt, Valentina Lisitsa. The song's track number on the album is #4 out of 9 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. El Contrabandista - Rondo Fantastique sur Un Thème Espagnol, S.252 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since El Contrabandista - Rondo Fantastique sur Un Thème Espagnol, S.252 by Franz Liszt, Valentina Lisitsa has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With El Contrabandista - Rondo Fantastique sur Un Thème Espagnol, S.252 being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book III, Op. 43: No. 1 Butterfly | Edvard Grieg, Emil Gilels | F♯ Minor | 0 | 11A | 66 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
Valses oubliées, S. 215: No. 1, — | Franz Liszt, Goran Filipec | B♭ Major | 2 | 6B | 67 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM |
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