Louis Couperin, Massimo Berghella made "Harpsichord Suite No. 5 in A Minor: CII. La Piemontoise" available on June 30, 2023. With Harpsichord Suite No. 5 in A Minor: CII. La Piemontoise being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Harpsichord Suite No. 5 in A Minor: CII. La Piemontoise is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord Suite No. 5 in A Minor: CII. La Piemontoise by Louis Couperin, Massimo Berghella is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita in A Minor: Plainte faite à Londres pour passer la melan | Marcin Świątkiewicz | A♭ Major | 2 | 4B | 78 BPM | ||
Sonata in G Minor, Kk. 35 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | G Minor | 1 | 6A | 115 BPM | ||
Sonata in B Minor for Violin and Continuo, Book I, No. 12: I. Largo | Charles-Antoine Branche, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Suite in A Major: 112. Courante | Louis Couperin, Christophe Rousset | F Major | 3 | 7B | 77 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 6 L'Entretien des Muses | Jean-Philippe Rameau, Jean Rondeau | C Minor | 2 | 5A | 66 BPM | ||
Suite in C Major: 26. Chaconne | Louis Couperin, Christophe Rousset | F Major | 3 | 7B | 77 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM |
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