Doctor Bull, Elisabeth Joyé made "In Nomine" available on November 17, 2023. The duration of In Nomine is about 3 minutes long, at 3:04. Based on our data, "In Nomine" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Elisabeth Joyé's "Miscellanées" album is number 10 out of 23. On top of that, France appears to be the country where this track was created. Based on our statistics, In Nomine's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of In Nomine by Doctor Bull, Elisabeth Joyé to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | E♭ Minor | 3 | 2A | 120 BPM | ||
Trio Sonata in D Major, BuxWV 260: III. Largo | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Colin Tilney, Christophe Rousset, Davitt Moroney, Christopher Hogwood, Academy of Ancient Music | A♭ Minor | 4 | 1A | 109 BPM | ||
L'art de toucher le clavecin: No. 3, Prelude in G Minor | François Couperin, Andrew Appel | C Major | 5 | 8B | 72 BPM | ||
Fantazia V, Z. 736 | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Martin Zeller | E Major | 2 | 12B | 139 BPM | ||
Pieces de clavecin: Suite in E Minor: IV. Gigue en rondeau II | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
Troisieme Sonate En Sol Majeur, Op. 91: I. Rondeau | Joseph Bodin de Boismortier, Luc Beauséjour, Herve Niquet | F♯ Major | 3 | 2B | 112 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): I. Prélude. Gravement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM |
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