Alexander Scriabin, Vladimir Horowitz's 'Etude in F-Sharp Major, Op. 42, No. 3: Prestissimo - Remastered' came out on 1951. With Etude in F-Sharp Major, Op. 42, No. 3: Prestissimo - Remastered being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Alexander Scriabin, Vladimir Horowitz's "Horowitz Plays Scriabin (Remastered)" album is number 9 out of 39. On top of that, United States appears to be the country where this track was created. Based on our statistics, Etude in F-Sharp Major, Op. 42, No. 3: Prestissimo - Remastered's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Etude in F-Sharp Major, Op. 42, No. 3: Prestissimo - Remastered by Alexander Scriabin, Vladimir Horowitz to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Visions: II. Summerland | William Grant Still, Natalie Hinderas | G Major | 0 | 9B | 68 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Tarantella in A Minor | Mikhail Glinka, Inga Fiolia | A Minor | 2 | 8A | 100 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Piezas infantiles I: No. 3. Arrullo | Alberto Ginastera, Fernando Viani | G Major | 0 | 9B | 79 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM |
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