"Prelude in C Major, Op. 11, No. 1: Vivace - Remastered" by Alexander Scriabin, Vladimir Horowitz was released on 1951. With Prelude in C Major, Op. 11, No. 1: Vivace - Remastered being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Alexander Scriabin, Vladimir Horowitz's "Horowitz Plays Scriabin (Remastered)" album is number 5 out of 39. On top of that, United States appears to be the country where this track was created. Prelude in C Major, Op. 11, No. 1: Vivace - Remastered is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Prelude in C Major, Op. 11, No. 1: Vivace - Remastered by Alexander Scriabin, Vladimir Horowitz to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 2 - Mankind: Déchirant - dedicazione | Alexander Scriabin, Alexander Lubimov, Thomas Trotter, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | B♭ Minor | 3 | 3A | 48 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Piano Sonata No.10 In C Major, K.330: 3. Allegretto | Wolfgang Amadeus Mozart, Vladimir Horowitz | C Major | 1 | 8B | 99 BPM | ||
Prélude In G-Sharp Minor, Op.32, No.12 - Live | Sergei Rachmaninoff, Vladimir Horowitz | E Major | 0 | 12B | 68 BPM | ||
Sonata in F Minor, K.466 (L. 118) | Domenico Scarlatti, Vladimir Horowitz | F Minor | 0 | 4A | 175 BPM | ||
Variations sérieuses, Op. 54, MWV U156: Variation 17 | Felix Mendelssohn, Jan Lisiecki | A Major | 2 | 11B | 111 BPM | ||
Liebermann: Gargoyles, Op. 29: III. Allegro moderato | Lowell Liebermann, Stephen Hough | D♭ Major | 0 | 3B | 77 BPM | ||
Visions fugitives, Op. 22: I. Lentamente | Sergei Prokofiev, Steven Osborne | C Major | 0 | 8B | 87 BPM | ||
9 Preludes, Op. 1: No. 8 in E-Flat Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Piano Sonata No. 1 in C Major, Op. 24, J. 138: I. Allegro | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 124 BPM |
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