"Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter)" by Engelbert Humperdinck, Bamberg Symphony, Karl Anton Rickenbacher was released on July 21, 2010. Since Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Engelbert Humperdinck, Bamberger Symphoniker & Karl Anton Rickenbacher, Bamberg Symphony's "Humperdinck : Märchenmusiken, Hänsel und Gretel, der blaue Vogel, Donröschen" album is number 1 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) by Engelbert Humperdinck, Bamberg Symphony, Karl Anton Rickenbacher to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM | ||
Hummel: Trumpet Concerto In E Flat - Iii Rondo | Johann Nepomuk Hummel, Tine Thing Helseth | E♭ Major | 2 | 5B | 144 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
A Symphonic Mass for Chorus & Orchestra: I. Kyrie | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus, Lazlo Heltay | E♭ Minor | 2 | 2A | 123 BPM | ||
HÄNSEL UND GRETEL · Märchenoper in 3 Bildern (Auszüge), Zweites Bild: - Der kleine Sandmann bin ich | Adelheid Wette, Engelbert Humperdinck, Lore Hoffmann/Erika Köth/Helga Hildebrand/Arthur Grüber/Berliner Symphoniker, Berliner Symphoniker | D Major | 1 | 10B | 92 BPM | ||
Gli uccelli (The Birds), P. 154: I. Preludio: Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 74 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Markus Poschner, Orchestra della Svizzera Italiana | B Minor | 0 | 10A | 72 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM | ||
Cinderella: 2. Her Fairy Godmother calls her softly and she gradually wakes | Eric Coates, BBC Philharmonic Orchestra, John Wilson | D Major | 3 | 10B | 118 BPM |
Section: 0.8294281959533691
End: 0.8341202735900879