Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter)
Engelbert Humperdinck, Bamberg Symphony, Karl Anton Rickenbacher
Humperdinck : Märchenmusiken, Hänsel und Gretel, der blaue Vogel, Donröschen
7:39 July 21, 2010
BPM
86
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) - Engelbert Humperdinck, Bamberg Symphony, Karl Anton Rickenbacher Information

Acousticness
98%
Danceability
14%
Energy
13%
Instrumentalness
88%
Liveness
14%
Loudness
61%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.47 dB

Summary

"Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter)" by Engelbert Humperdinck, Bamberg Symphony, Karl Anton Rickenbacher was released on July 21, 2010. Since Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Engelbert Humperdinck, Bamberger Symphoniker & Karl Anton Rickenbacher, Bamberg Symphony's "Humperdinck : Märchenmusiken, Hänsel und Gretel, der blaue Vogel, Donröschen" album is number 1 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) BPM

We consider the tempo marking of Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) by Engelbert Humperdinck, Bamberg Symphony, Karl Anton Rickenbacher to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) Key

E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Vier letzte Lieder: 1. Frühling by Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian ThielemannVier letzte Lieder: 1. FrühlingRichard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian ThielemannD Major010B98 BPM
Hummel: Trumpet Concerto In E Flat - Iii Rondo by Johann Nepomuk Hummel, Tine Thing HelsethHummel: Trumpet Concerto In E Flat - Iii RondoJohann Nepomuk Hummel, Tine Thing HelsethE♭ Major25B144 BPM
Op 34, N. 2: Op 34, N. 2: "Auf Flügeln des Gesanges"Victoria de los ÁngelesA♭ Major14B138 BPM
A Symphonic Mass for Chorus & Orchestra: I. Kyrie by George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus, Lazlo HeltayA Symphonic Mass for Chorus & Orchestra: I. KyrieGeorge Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus, Lazlo HeltayE♭ Minor22A123 BPM
HÄNSEL UND GRETEL · Märchenoper in 3 Bildern (Auszüge), Zweites Bild: - Der kleine Sandmann bin ich by Adelheid Wette, Engelbert Humperdinck, Lore Hoffmann/Erika Köth/Helga Hildebrand/Arthur Grüber/Berliner Symphoniker, Berliner SymphonikerHÄNSEL UND GRETEL · Märchenoper in 3 Bildern (Auszüge), Zweites Bild: - Der kleine Sandmann bin ichAdelheid Wette, Engelbert Humperdinck, Lore Hoffmann/Erika Köth/Helga Hildebrand/Arthur Grüber/Berliner Symphoniker, Berliner SymphonikerD Major110B92 BPM
Gli uccelli (The Birds), P. 154: I. Preludio: Allegro moderato by Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di VittorioGli uccelli (The Birds), P. 154: I. Preludio: Allegro moderatoOttorino Respighi, Chamber Orchestra of New York, Salvatore Di VittorioA Major111B74 BPM
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) by Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian BoeschStabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto)Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian BoeschA Major111B133 BPM
Symphony No. 6 in B Minor, Op. 74 Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Adagio lamentosoPyotr Ilyich Tchaikovsky, Markus Poschner, Orchestra della Svizzera ItalianaB Minor010A72 BPM
Mass No. 2 in G Major, D. 167: VI. Agnus Dei by Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener StaatsoperMass No. 2 in G Major, D. 167: VI. Agnus DeiFranz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener StaatsoperE Minor09A73 BPM
Cinderella: 2. Her Fairy Godmother calls her softly and she gradually wakes by Eric Coates, BBC Philharmonic Orchestra, John WilsonCinderella: 2. Her Fairy Godmother calls her softly and she gradually wakesEric Coates, BBC Philharmonic Orchestra, John WilsonD Major310B118 BPM
ISRC
GBAYC9002169
Label
L-M Records/RCA Records

Section: 0.8294281959533691

End: 0.8341202735900879