"All-Night Vigil, Op. 37: No. 15, To Thee, the Victorious Leader" by Sergei Rachmaninoff, Gloriae Dei Cantores, The St. Romanos Cappella, Patriarch Tikhon Choir, Washington Master Chorale, Richard K. Pugsley, Peter Jermihov had its release date on March 3, 2017. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. All-Night Vigil, Op. 37: No. 15, To Thee, the Victorious Leader's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rachmaninoff: All-Night Vigil, Op. 37". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, All-Night Vigil, Op. 37: No. 15, To Thee, the Victorious Leader's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-Night Vigil, Op. 37: No. 15, To Thee, the Victorious Leader by Sergei Rachmaninoff, Gloriae Dei Cantores, The St. Romanos Cappella, Patriarch Tikhon Choir, Washington Master Chorale, Richard K. Pugsley, Peter Jermihov having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |