Harmonia artificioso-ariosa / Partia I: Aria - Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel Information

Acousticness: 69%
Danceability: 9%
Energy: 12%
Instrumentalness: 28%
Liveness: 6%
Loudness: 65%
Speechiness: 5%
Valence: 10%
Popularity: 6%
Loudness: -21.066 dB

Summary

"Harmonia artificioso-ariosa / Partia I: Aria" by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 2004. The duration of Harmonia artificioso-ariosa / Partia I: Aria is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Harmonia artificioso-ariosa / Partia I: Aria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Harmonia artificioso-ariosa / Partia I: Aria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Harmonia artificioso-ariosa / Partia I: Aria BPM

The tempo marking of Harmonia artificioso-ariosa / Partia I: Aria by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Harmonia artificioso-ariosa / Partia I: Aria Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro	Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini	E♭ Minor	2	2A	115 BPM
Amphitryon, Z. 572, "The 2 Sosias": VIII. Borree	Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon	D♭ Minor	1	12A	82 BPM
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia)	Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances	F♯ Minor	1	11A	176 BPM
Sonata II In G Minor: II. Allegro (Muffat)	Georg Muffat, Masques	F♯ Minor	1	11A	136 BPM
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195	Johann Pachelbel, Enrico Bissolo	E Minor	3	9A	74 BPM
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie	Matthew Locke, Rachel Podger, Brecon Baroque	A♭ Minor	2	1A	112 BPM
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	C Minor	1	5A	108 BPM
6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio	Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini	A♭ Minor	1	1A	60 BPM
Mensa sonora / PARS I (In D Major): 1. Sonata. Grave - Allegro	Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel	D♭ Major	1	3B	139 BPM
Ascanio, Sinfonia: II. [Sarabande]	Antonio Lotti, Ensemble Zefiro, Alfredo Bernardini	B Minor	1	10A	76 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6272420883178711

End: 0.630608320236206