"Caro Mio Ben" by Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL had its release date on May 1, 2010. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Caro Mio Ben's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL's "Musica di Venezia" album is number 12 out of 19. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Caro Mio Ben is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Caro Mio Ben by Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hail! bright Cecilia!: Hail! bright Cecilia!: IX. The airy Violin | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze | D♭ Major | 1 | 3B | 73 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (c) Quam olim Abrahae promisisti | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 3 | 10B | 133 BPM | ||
Herzlich Lieb hab' ich dich, O Herr, BuxWV 41: I. Herzlich Lieb hab' ich Dich | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Major | 1 | 8B | 76 BPM | ||
Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 73 BPM | ||
Mass in C Major, "Messe breve No. 7 aux chapelles": Kyrie | Charles Gounod, Patrick Herget, Axel Werntges, Hartmut Roth, Philipp Tetzlaff, Martin Schmeding, Jugendkantorei Hosel, Toralf Hildebrandt | D♭ Major | 2 | 3B | 97 BPM | ||
Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: I. Adagio | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Dixit Dominus, Psalm 109: Virgam virtutis | Maximilian Dietrich Freislich, Cappella Gedanensis | C Minor | 2 | 5A | 0 BPM | ||
Missa S. Marcellini: VII. Qui tollis peccata mundi - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 82 BPM | ||
Te Deum: IV. Patrem immensae maiestatis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Passionsoratorium: O Seele, deren Sehnen aus heil'gen Augen weint (Chorus) | Johann Ernst Bach, Barbara Schlick, David Cordier, Christoph Prégardien, Stephen Varcoe, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | F♯ Minor | 1 | 11A | 78 BPM |