Dido and Aeneas, Z. 626: Act II: Aeneas, Dido: Behold, upon my bended spear - Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble Information

Acousticness: 92%
Danceability: 44%
Energy: 18%
Instrumentalness: 0%
Liveness: 57%
Loudness: 63%
Speechiness: 16%
Valence: 53%
Popularity: 1%
Loudness: -22.304 dB

Summary

Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble made "Dido and Aeneas, Z. 626: Act II: Aeneas, Dido: Behold, upon my bended spear" available on May 14, 1997. With Dido and Aeneas, Z. 626: Act II: Aeneas, Dido: Behold, upon my bended spear being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #27. Dido and Aeneas, Z. 626: Act II: Aeneas, Dido: Behold, upon my bended spear is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Dido and Aeneas, Z. 626: Act II: Aeneas, Dido: Behold, upon my bended spear BPM

With Dido and Aeneas, Z. 626: Act II: Aeneas, Dido: Behold, upon my bended spear by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Dido and Aeneas, Z. 626: Act II: Aeneas, Dido: Behold, upon my bended spear Key

This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Indian Queen, Z. 630 : Act III - Trumpet Overture	The Scholars Baroque Ensemble, John Dryden, Henry Purcell	D♭ Major	1	3B	112 BPM
Lamento della ninfa, SV 163: Amor, amor	Claudio Monteverdi, Simone Kermes, Enrico Casazza, La Magnifica Comunità	A Minor	1	8A	95 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum	Gabriel Fauré, Paavo Järvi, Orchestre de Paris	D Major	0	10B	147 BPM
Oboe Concerto in D Minor: II. Adagio	Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra	D Minor	1	7A	131 BPM
Canzonette d'amore	Claudio Monteverdi, Concerto Delle Dame Di Ferrara, Sergio Vartolo	B Minor	0	10A	100 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]	Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz	A Minor	0	8A	70 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino	Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau	Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi	F♯ Major	2	2B	147 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo	Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana	D♭ Major	1	3B	118 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6449875831604004

End: 0.6495506763458252