On 1945, the song "(Why Did I Tell You I Was Going To) Shanghai" was released by Doris Day. The duration of (Why Did I Tell You I Was Going To) Shanghai is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. (Why Did I Tell You I Was Going To) Shanghai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Doris Day's "Golden Girl (The Columbia Recordings 1944-1966)" album is number 23 out of 48. Based on our statistics, (Why Did I Tell You I Was Going To) Shanghai's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of (Why Did I Tell You I Was Going To) Shanghai by Doris Day to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Near You | Roger Williams | G Major | 2 | 9B | 123 BPM | ||
Till I Waltz Again With You | Teresa Brewer | D Major | 2 | 10B | 87 BPM | ||
Cry | Johnnie Ray | C Major | 1 | 8B | 70 BPM | ||
Pennsylvania 6-5000 | Members Of The Glenn Miller Orchestra | A♭ Major | 4 | 4B | 83 BPM | ||
Laughing on the Outside | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
Blue Moon | Billy Eckstine | E♭ Major | 3 | 5B | 77 BPM | ||
Standing On the Corner | The Four Lads | G Major | 5 | 9B | 115 BPM | ||
Opus NO. 1 | Gene Krupa and His Orchestra | F Major | 1 | 7B | 115 BPM | ||
Cherry Pink and Apple Blossom White | Eddie Calvert | E♭ Major | 5 | 5B | 113 BPM | ||
Mairzy Doats | The Merry Macs | G Major | 2 | 9B | 81 BPM |
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