Erik Satie, Pascal Rogé made "Descriptions automatiques" available on January 1, 1989. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Satie: Piano Works". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Descriptions automatiques's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Descriptions automatiques by Erik Satie, Pascal Rogé having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Goldberg Variations, BWV 988: Var. 25 | Johann Sebastian Bach, Glenn Gould | C Minor | 0 | 5A | 142 BPM | ||
Trois Romances sans paroles, Op.17: 3. Andante moderato | Gabriel Fauré, Pascal Rogé | F♯ Minor | 1 | 11A | 72 BPM | ||
Turkish March (After W.A. Mozart) | Arcadi Volodos, Mao Fujita | A Major | 3 | 11B | 124 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Intermezzo in A Minor Op. 76 No. 7 | Johannes Brahms, Evgeny Kissin | A Minor | 0 | 8A | 71 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Lyric Pieces Book X, Op. 71: No. 1 Once Upon A Time | Edvard Grieg, Emil Gilels | C Major | 0 | 8B | 64 BPM | ||
13 Pieces, Op. 76: No. 10 Elegiaco | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 68 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Mikhail Pletnev | D♭ Major | 0 | 3B | 62 BPM |
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